Eight stops of IBIS, tested on the streets of New York at twilight with Taylor Jackson. What 8K and 4K active stabilization actually look like handheld, and whether you can leave the gimbal at home.
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The full ISO ladder from 800 to 32,000, shot at 1 a.m. in New York on a Zeiss 50mm at f/1.4. Where the noise starts, where I would stop, and why 61 megapixels sets the ceiling.
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The Philips SHP9500s are about 75 bucks, weigh almost nothing, and the open back design gives you a wider soundstage, which makes picking apart individual audio tracks in a timeline far easier.
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Two export recipes for DaVinci Resolve: H.265 at double your frame rate for uploading, and H.264 at a much higher bitrate for client delivery, so nobody gets a file their computer cannot play.
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Seven music licensing sites compared for wedding filmmakers: Musicbed, Track Club, Soundstripe, Artlist, MusicVine, Epidemic Sound and Audiio, with what each costs and which to start with.
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The one menu setting that fixes overheating nine times out of ten, plus battery grips, dummy batteries, and a DIY hot shoe sunshade you can cut out of a pizza box.
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