The Tascam FR-AV2 packs combo XLR and quarter inch jacks, 32-bit float, Bluetooth control, and real linear timecode in and out into a recorder that fits in your hand. Here is my full review from a wedding filmmaker’s perspective.
Continue readingALL The Audio Gear You Need To Film A Wedding
Every piece of audio gear I use to film a wedding, walked through in the order you will need it, from the getting ready room to the last toast. Six recorders, three cables, and a lot of backups.
Continue readingHow To EASILY Sync Audio FASTER with TIMECODE & Your Tascam & Zoom Audio Recorders
A full walkthrough of wireless timecode with the Atomos UltraSync BLUE and ONE, a Tascam DR-10L Pro and a Sony a7S III, right down to the two clicks in DaVinci Resolve that sync everything at once.
Continue readingBest Settings For The Tascam DR-10L Pro Audio Recorder
Every menu on the Tascam DR-10L Pro, all 28 of them, with the setting I use and why. 32-bit float changes the answer on several of these compared to the original DR-10L.
Continue readingTascam DR-10L PRO Review – The Recorder You Need!
Smaller than the original, with double the batteries, 512GB cards, 32-bit float, Bluetooth and timecode, for twenty dollars more than the 2016 model. I measured 28 hours of battery life.
Continue readingTascam X6 – A Powerful & Affordable Audio Recorder For Wedding Filmmaking (Review)
32-bit float for $369, and two hours more battery than the X8. The only real regression is the XLR jacks, and it matters more than it sounds.
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