Tag: S-Log3

Color Management EXPLAINED: Get Amazing Colors In DaVinci Resolve In ONE Click

Color management is the easiest way to get amazing colors in DaVinci Resolve, and it genuinely takes one click. Here is how to turn it on, how to tell Resolve which log profile you filmed in, and whether you still need LUTs afterward.

How To EASILY Film In SLOG3 With The Sony FX30

The fast way to shoot S-Log3 on the Sony FX30: Flexible ISO, metering 1 to 2 stops over, zebras at 94+, and the two base ISOs that matter.

camera settings S-Log3 Sony Sony FX30 Tutorial Wedding Filmmaking

CINE EI EXPLAINED – How To EASILY Film SLOG3 In CINE EI Mode With Sony Cameras

Cine EI strips your camera down to two base ISOs. Here is exactly what that does, and why I do not use it for weddings.

camera settings Cine EI FX30 S-Log3 Sony Tutorial

How To EASILY Film In SLOG3 With The Sony a7 IV

PP8, meter 1.7 to 2.0 stops over, zebras at 94, and stay on ISO 800 or 3200. Here is the whole S-Log3 workflow for the Sony a7 IV, including why dropping below base ISO quietly breaks your zebras.

camera settings S-Log3 Sony a7 IV

Can you combine S-LOG3 with S-Cinetone? Let’s Find Out…

Can you mix S-Log3 gamma with S-Cinetone color to get high dynamic range that also looks good straight out of camera? I tried every combination on the a7S III.

a7S III color grading picture profile S-Cinetone S-Log3 Sony

New Sony A7S III Features NOBODY Is Talking About

Three a7S III features nobody is covering: white balance while recording with Shockless WB, a punch in you can actually focus with, and an extended base ISO down to 160.

a7S III camera settings S-Log3 Sony white balance

Tag: S-Log3

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