Sony and Panasonic never made an 85mm F1.2 with autofocus, so Sigma did. Here’s how the $1,600 Sigma 85mm F1.2 DG Art holds up for wedding filmmakers, how it compares to the F1.4 options, and the one reason to skip it.
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Sony has not said a word about an FX6 Mark II, but based on what they just shipped in the FX5, I am betting it is coming with internal ND filters, IBIS, and a $6,999 price tag.
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You do not need an expensive CF Express Type A card to shoot 16-bit RAW on the Sony FX5. Here is exactly which SD and CF Express cards you need for every format, and the silent failure that can ruin an entire shoot.
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After actually living with the Sony FX5, here are the ten things that annoyed me most, from the imager mode that says 5K while you record 4K to the EVF and XLR handle fighting over the same port. And why I am still buying one at $5,000.
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The FX5 improves nearly every feature of the FX3, adds internal 16 bit raw with compression small enough to record to an SD card, open gate 5K, and a triple base ISO. Here is my full review after testing it.
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The Sony a7R VI has arrived and every camera brand has opinions. A new 67 megapixel stacked sensor, 32-bit float with an adapter, a new battery, and still no open gate.
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