You do not need an expensive CF Express Type A card to shoot 16-bit RAW on the Sony FX5. Here is exactly which SD and CF Express cards you need for every format, and the silent failure that can ruin an entire shoot.
Continue reading
After actually living with the Sony FX5, here are the ten things that annoyed me most, from the imager mode that says 5K while you record 4K to the EVF and XLR handle fighting over the same port. And why I am still buying one at $5,000.
Continue reading
The FX5 improves nearly every feature of the FX3, adds internal 16 bit raw with compression small enough to record to an SD card, open gate 5K, and a triple base ISO. Here is my full review after testing it.
Continue reading
The Sony a7R VI has arrived and every camera brand has opinions. A new 67 megapixel stacked sensor, 32-bit float with an adapter, a new battery, and still no open gate.
Continue reading
Sony’s new 50-150mm f/2 GM can replace a whole shelf of tighter primes and your 70-200. It is also $3,500 to $3,800. Here is who it is actually for.
Continue reading
Sony’s new 16mm f/1.8 G is a 304 gram full frame ultra wide that takes normal 67mm filters and is targeting half the price of the 14mm f/1.8 GM. Here’s my review of it as a wedding filmmaker.
Continue reading