Two great 32 bit float recorders, ten real differences. The F3 is easier and cheaper, the FR-AV2 does wireless monitoring and works with any timecode system.
Continue readingHow To Mic A Groom On A Wedding Day – 3 Things To Remember!
Where to clip the lav, how to handle a groom with no jacket, and the two things most filmmakers forget: the couple’s height difference, and the wind.
Continue readingHow To Film A Wedding Solo By Yourself
A full wedding day filmed alone, start to finish, with Justin Porter following me around. What changes, what breaks, and the small decisions that make solo possible.
Continue readingAdobe Enhance Speech EXPLAINED – Make Audio Sound Incredible In 1 Click In Premiere Pro
Adobe’s Enhance Speech tool lives inside Premiere Pro now, and it can rescue on camera audio that used to be unusable. Here is how to use it, and how to keep it from making your audio sound like a robot in a studio.
Continue readingEvery Wedding Videographer NEEDS These Audio Cables!
XLR, quarter inch and RCA. With these three cables you can plug into any DJ board, any venue system, and any dusty rack in a church basement. Here is what each one is for and when to reach for it.
Continue readingHow To EASILY Sync Audio FASTER with TIMECODE & Your Tascam & Zoom Audio Recorders
A full walkthrough of wireless timecode with the Atomos UltraSync BLUE and ONE, a Tascam DR-10L Pro and a Sony a7S III, right down to the two clicks in DaVinci Resolve that sync everything at once.
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