Sony and Panasonic never made an 85mm F1.2 with autofocus, so Sigma did. Here’s how the $1,600 Sigma 85mm F1.2 DG Art holds up for wedding filmmakers, how it compares to the F1.4 options, and the one reason to skip it.
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Four millimeters narrower than a 24-105 but a full stop faster, and half the price of the Canon. Here is my review of the Sigma 28-105 f/2.8 from a wedding filmmaker’s perspective.
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A full frame zoom that holds f/1.8 across its whole range, with an internal zoom that makes it a gimbal lens. Here is my review of the Sigma 28-45, including the two complaints everyone had about it.
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A 10x zoom range in one lens for $2,000. Wider than a 70-200 and longer than almost anything, which makes it the ceremony lens I would not have to think about.
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516 grams, an iris lock, and the same feeling I get from the 24mm GM. This is the Goldilocks 50mm Sony finally made.
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Three techniques for using manual focus lenses on a gimbal or Glidecam, without a follow focus and without buying new autofocus glass.
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