Sony and Panasonic never made an 85mm F1.2 with autofocus, so Sigma did. Here’s how the $1,600 Sigma 85mm F1.2 DG Art holds up for wedding filmmakers, how it compares to the F1.4 options, and the one reason to skip it.
Continue reading
Sony’s new 16mm f/1.8 G is a 304 gram full frame ultra wide that takes normal 67mm filters and is targeting half the price of the 14mm f/1.8 GM. Here’s my review of it as a wedding filmmaker.
Continue reading
Sony’s new 28-70mm f/2 GM is a pound lighter, 11% smaller and cheaper than Canon’s. Here’s my review from the perspective of a wedding filmmaker.
Continue reading
Four millimeters narrower than a 24-105 but a full stop faster, and half the price of the Canon. Here is my review of the Sigma 28-105 f/2.8 from a wedding filmmaker’s perspective.
Continue reading
Sony’s 85mm f/1.4 GM II is lighter, smaller, sharper, and faster to focus than the original, at the same price. Here is my review from a wedding filmmaker’s perspective, plus why I still want an f/1.2.
Continue reading
A full frame zoom that holds f/1.8 across its whole range, with an internal zoom that makes it a gimbal lens. Here is my review of the Sigma 28-45, including the two complaints everyone had about it.
Continue reading