Sony’s new 16mm f/1.8 G is a 304 gram full frame ultra wide that takes normal 67mm filters and is targeting half the price of the 14mm f/1.8 GM. Here’s my review of it as a wedding filmmaker.
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Sony’s new 28-70mm f/2 GM is a pound lighter, 11% smaller and cheaper than Canon’s. Here’s my review from the perspective of a wedding filmmaker.
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I rented the Sony 50mm f/1.2 GM with my own money and shot a multi-day wedding with it. Here is how it compares to every other 50mm I have used, and the two things that stop it being the perfect lens.
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Sony’s 24mm f/2.8, 40mm f/2.5 and 50mm f/2.5 look redundant and overpriced next to the lenses they already sell. Here is why the build, the clickless aperture and the silent autofocus make them the ones I would buy for filmmaking anyway.
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