Sony’s new 16mm f/1.8 G is a 304 gram full frame ultra wide that takes normal 67mm filters and is targeting half the price of the 14mm f/1.8 GM. Here’s my review of it as a wedding filmmaker.
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Sony’s new 28-70mm f/2 GM is a pound lighter, 11% smaller and cheaper than Canon’s. Here’s my review from the perspective of a wedding filmmaker.
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Four millimeters narrower than a 24-105 but a full stop faster, and half the price of the Canon. Here is my review of the Sigma 28-105 f/2.8 from a wedding filmmaker’s perspective.
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Sony’s 85mm f/1.4 GM II is lighter, smaller, sharper, and faster to focus than the original, at the same price. Here is my review from a wedding filmmaker’s perspective, plus why I still want an f/1.2.
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A full frame zoom that holds f/1.8 across its whole range, with an internal zoom that makes it a gimbal lens. Here is my review of the Sigma 28-45, including the two complaints everyone had about it.
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Wide, fast, and 409 grams. Sony’s 16-25mm f/2.8 G is an odd focal range that makes total sense the moment you put it on a gimbal.
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