The FX5 brings 16-bit internal RAW, 5K open gate, a third base ISO and over 16 stops of dynamic range. The FX3 is still legendary though, so here is which one I would actually buy.
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I put the Sony FX5 in direct Texas sunlight recording 5K open gate RAW at almost two gigabits per second and tried everything I could to make it overheat. The body hit 135 degrees and the camera never flinched.
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The Nikon ZR costs less than half what the Sony FX5 does and records higher resolution RAW. But compression, dynamic range, and the long-term cost of storage complicate the math more than the sticker price suggests.
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You do not need an expensive CF Express Type A card to shoot 16-bit RAW on the Sony FX5. Here is exactly which SD and CF Express cards you need for every format, and the silent failure that can ruin an entire shoot.
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The FX5 improves nearly every feature of the FX3, adds internal 16 bit raw with compression small enough to record to an SD card, open gate 5K, and a triple base ISO. Here is my full review after testing it.
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6K raw for about $3,000 is an incredible price, but the Pyxis only makes sense for a very specific kind of filmmaker. Here’s my full review after a month with it.
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