516 grams, an iris lock, and the same feeling I get from the 24mm GM. This is the Goldilocks 50mm Sony finally made.
Continue readingBEST 50mm Lens Sony Has Ever Made – 50mm F1.4 GM Lens Review For Wedding Filmmakers
CINE EI EXPLAINED – How To EASILY Film SLOG3 In CINE EI Mode With Sony Cameras
Cine EI strips your camera down to two base ISOs. Here is exactly what that does, and why I do not use it for weddings.
Continue readingDon’t Ignore The Nikon Z9 For Wedding Filmmaking (Review)
8K at 60fps in internal raw, a two hour record limit, and a lawsuit. The Z9 is one of the best cameras made, and I still would not buy one yet.
Continue readingTascam X6 – A Powerful & Affordable Audio Recorder For Wedding Filmmaking (Review)
32-bit float for $369, and two hours more battery than the X8. The only real regression is the XLR jacks, and it matters more than it sounds.
Continue readingGoodbye Premiere Pro! Why Editors Are Switching To DaVinci Resolve
Stability, speed, features and price. Four reasons editors are switching, from someone who is switching and still has to keep paying Adobe.
Continue readingSony 20-70mm F4 Lens Review For Wedding Filmmakers – A FANTASTIC First Lens
A wedding filmmaker’s review of the Sony 20-70mm F4 G: tiny, 488 grams, near-parfocal, and the wider-rather-than-tighter zoom range that makes it a great first Sony lens.
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