6K raw for about $3,000 is an incredible price, but the Pyxis only makes sense for a very specific kind of filmmaker. Here’s my full review after a month with it.
Continue readingA Wedding Filmmaker’s Review Of The Blackmagic Pyxis 6K
FINALLY A Cool Lens From Sony! 28-70 F2 Review For Wedding Filmmakers
Sony’s new 28-70mm f/2 GM is a pound lighter, 11% smaller and cheaper than Canon’s. Here’s my review from the perspective of a wedding filmmaker.
Continue readingProRes RAW Sucks In Most Video Editing Software! Watch This Before Using It
Final Cut handles ProRes RAW beautifully. DaVinci Resolve imports it as an audio file. Premiere hides the raw controls behind a button nobody clicks. Here’s why.
Continue readingHow Wedding Videographers Can Make More $$$ With Raw Footage
Should you give your couples their raw footage, sell it, or never offer it? Here are all three options, plus the one that earns the most for about an hour of work.
Continue readingAudio Recorder BATTLE: Zoom F3 vs Tascam FR-AV2!
Two great 32 bit float recorders, ten real differences. The F3 is easier and cheaper, the FR-AV2 does wireless monitoring and works with any timecode system.
Continue readingThe NEW Way To Sync Audio & Video With Time Code In Premiere Pro 2025!
Premiere Pro finally reads linear timecode, which means any camera with a spare audio channel can sync in two clicks. Here’s both methods, step by step.
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