Two years after Adobe flew me out to hear my complaints, here is what they have fixed, what they still have not, and the pricing decision that makes no sense.
Continue readingPremiere Pro In 2025: The Good, Bad, & Confusing 😵💫
Premiere Pro Color Looks Different After Export? How To Fix It FAST!
Change Viewer Gamma to 2.2 (Web) and you have probably fixed it. If not, here is Adobe’s free compensation LUT, the QuickTime gamma explanation nobody tells you about, and the Nvidia setting that washes out PC exports.
Continue readingBest Export Settings For Premiere Pro For YouTube
The exact Premiere Pro export settings I use on every 4K video, walked through one setting at a time, plus how to save them as a preset so you only do this once.
Continue readingPremiere Pro LOG Color Grading INSTANTLY Without LUTs – Color Management Tutorial
How to set up color management in Premiere Pro so log footage from any camera comes in with contrast and saturation automatically, and stays that way on every project after.
Continue readingPremiere Pro Warp Stabilizer VS DaVinci Resolve Stabilizer – Here’s Which Effect Is Best!
Six rounds of Warp Stabilizer against the DaVinci Resolve stabilizer: how you apply them, how fast they analyze, how good they look untouched, and the export mistake that once ended up on a Times Square billboard.
Continue readingProRes RAW Sucks In Most Video Editing Software! Watch This Before Using It
Final Cut handles ProRes RAW beautifully. DaVinci Resolve imports it as an audio file. Premiere hides the raw controls behind a button nobody clicks. Here’s why.
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