Final Cut handles ProRes RAW beautifully. DaVinci Resolve imports it as an audio file. Premiere hides the raw controls behind a button nobody clicks. Here’s why.
Continue readingHow To EASILY Sync Audio FASTER with TIMECODE & Your Tascam & Zoom Audio Recorders
A full walkthrough of wireless timecode with the Atomos UltraSync BLUE and ONE, a Tascam DR-10L Pro and a Sony a7S III, right down to the two clicks in DaVinci Resolve that sync everything at once.
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