Tag: ProRes RAW

I Tested the Panasonic S1iiE for Weddings & Docs: Here’s the Truth

The Panasonic S1IIE puts the much loved S5II sensor into the new S1II body for $700 less. Here is how it holds up for wedding and documentary work, including my overheating tests in the Texas heat.

Panasonic S1II Review – The Best They’ve Ever Made

The Lumix S1II gives you 6K 60fps full frame with no crop, internal ProRes RAW, open gate, and the widest dynamic range of any Panasonic full frame camera. Here is how it held up for paid work, including my overheating tests in the Texas sun.

32 bit float audio camera review Lumix open gate Panasonic Panasonic S1II ProRes RAW timecode Wedding Filmmaking

ProRes RAW Sucks In Most Video Editing Software! Watch This Before Using It

Final Cut handles ProRes RAW beautifully. DaVinci Resolve imports it as an audio file. Premiere hides the raw controls behind a button nobody clicks. Here’s why.

Atomos Blackmagic DaVinci Resolve Final Cut Pro premiere pro ProRes RAW Video Editing

A Wedding Filmmaker’s Review Of The Panasonic Lumix GH7 – Checks ALL The Boxes

Internal ProRes RAW, 32-bit float audio recorded straight into the video file, a fan, dual card slots that actually dual record, and 39 internal LUTs, for $2,200. The GH7 checks every box I have ever had.

32 bit float ARRI LogC3 camera review Lumix GH7 Micro Four Thirds Panasonic ProRes RAW wedding videography

Tag: ProRes RAW

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