Less than a year after the merger, RED and Nikon have announced Z mount V-Raptor and Komodo X cameras, deeper lens integration than Canon ever allowed, and Nikon’s first cinema lens.
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6K raw for about $3,000 is an incredible price, but the Pyxis only makes sense for a very specific kind of filmmaker. Here’s my full review after a month with it.
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Filmmakers kept asking Sony for the a7S III in a real cinema body, with mounting points, XLRs and built-in NDs. The FX6 is that camera. Here is what it adds, what it is missing, and who should actually buy it over the a7S III.
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Canon announced the C70 the same day the Sony a7S III started shipping, and it is a $5,500 Super 35 cinema camera carrying the C300 Mark III sensor, built-in NDs, and a speed booster that turns it full frame. Here is what I make of it.
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