Sony and Panasonic never made an 85mm F1.2 with autofocus, so Sigma did. Here’s how the $1,600 Sigma 85mm F1.2 DG Art holds up for wedding filmmakers, how it compares to the F1.4 options, and the one reason to skip it.
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On paper the iPhone 18 Pro and 17 Pro are nearly identical, but for filmmakers and photographers the new sensor, F1.48 variable aperture and bigger vapor chamber make the 18 Pro a massive upgrade. Here’s who should buy it and who should keep their phone.
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The FX5 can’t take photos, and I think that one decision tells us exactly what Sony does next: an a7S IV with the FX5 sensor, a built-in viewfinder, and a price around $4,500.
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I recorded 4K 60 on the iPhone 18 Pro and 17 Pro side by side in the Texas sun. Both stopped at exactly eight minutes, but only one kept a usable screen.
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The M5 Mac Studio I’d actually buy for video editing at three price points, why Apple’s 40-core GPU upgrade really costs $600, and the $3,800 point where you should stop spending on an M5 Max.
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Apple got about two thirds of the way to fixing the iPhone’s ND filter problem. The variable aperture is a real jump for filmmakers, but the sun stars are baked in.
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