Sony’s 85mm f/1.4 GM II is lighter, smaller, sharper, and faster to focus than the original, at the same price. Here is my review from a wedding filmmaker’s perspective, plus why I still want an f/1.2.
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Three easy techniques for mixing songs together in a video edit: match the key, match the BPM, and stop cutting your fades short. Most of the work happens before you ever open your editing software.
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A 32-bit float recorder small enough to hide on a bride’s dress, now with a real button, USB-C, Bluetooth, and timecode. Here is my review of the Instamic Pro Plus C from a wedding filmmaker’s perspective.
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A full frame zoom that holds f/1.8 across its whole range, with an internal zoom that makes it a gimbal lens. Here is my review of the Sigma 28-45, including the two complaints everyone had about it.
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30 hours of battery, a full color screen, a Sanken-modeled lav in the box, and the easiest timecode ecosystem going. Here is my review of the Deity PR-2, including why the US version is crippled.
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The same APS-C sensor as the a6700 and the FX30, in a 99 body. Here is my review of the Sony ZV-E10 II from a wedding filmmaker’s perspective, and an honest look at what Sony removed to hit that price.
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