Full frame sensors from the a7 IV and a7R V in a much smaller, much cheaper body. Here are the real overheating numbers, measured in 100 degree Texas sun, and who should actually buy one.
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540 grams, f/2.8, and 00. If you’re a solo wedding filmmaker buying your first lens, this is a stronger argument than a prime, and here’s why.
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Sony’s new 70-200 F4 II is lighter, sharper and more compact than the original, and it is a macro lens too. Here is my full review for wedding filmmakers.
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The Sony a6700 packs nearly every full frame video feature into a cheap APS-C body, but it overheated in 10 minutes in direct sunlight. My full review.
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The fast way to shoot S-Log3 on the Sony FX30: Flexible ISO, metering 1 to 2 stops over, zebras at 94+, and the two base ISOs that matter.
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Three years after the a7S III, here are the four things filmmakers actually want from the a7S IV, and why one of them is a legal problem.
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