Sony’s 24-50mm f/2.8 G is lighter than my 24mm GM prime and covers both of my favorite focal lengths. Here’s how it holds up on a wedding day.
Continue readingSell Your Primes For This Lens?! Sony 24-50 G F2.8 Review
The Sony a9 iii Global Shutter Sensor is REVOLUTIONARY For Filmmakers
No rolling shutter, no flash tearing, far less flicker. The a9 III’s global shutter fixes three problems wedding filmmakers have worked around for years, and it hints at where Sony is going next.
Continue readingSmaller, Lighter, Better For Filmmakers – Sony 16-35 F2.8 GM ii Lens Review
An f/2.8 wide angle that weighs almost the same as the old f/4, with a barrel that barely extends, which means you stop rebalancing your gimbal every time you zoom.
Continue readingCOOLEST Mic Sony Has Ever Made? ECM-M1 Review
Eight separate pickup patterns from one on-camera shotgun, including one that records behind the mic. Sony’s most flexible microphone, and how it stacks up against the ECM-B1M.
Continue readingHave I Reviewed These Cameras Before? – Sony a7C ii & a7C R Review For Wedding Filmmakers
Full frame sensors from the a7 IV and a7R V in a much smaller, much cheaper body. Here are the real overheating numbers, measured in 100 degree Texas sun, and who should actually buy one.
Continue readingThe Tamron 28-75 Is All That You Need For Filming Weddings!
540 grams, f/2.8, and 00. If you’re a solo wedding filmmaker buying your first lens, this is a stronger argument than a prime, and here’s why.
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