The FX5 improves nearly every feature of the FX3, adds internal 16 bit raw with compression small enough to record to an SD card, open gate 5K, and a triple base ISO. Here is my full review after testing it.
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48 hours driving the Scottish Highlands on the wrong side of the road, in the rain, with a slowly deflating tire and about fifty video clips I accidentally deleted.
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Sony’s new 50-150mm f/2 GM can replace a whole shelf of tighter primes and your 70-200. It is also $3,500 to $3,800. Here is who it is actually for.
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I walked NAB with no plan and came back with a flipping anamorphic, a light you can aim from your phone, a 12K Blackmagic, and a lens that glows in the dark.
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Full frame, internal RAW to an SD card, Z8 batteries and Z6III autofocus, for $1,699. Here is what is actually in the Nikon Z5ii.
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It is literally a touch bar, and the comparison is fair. But for filmmakers shooting horizontal video, Camera Control is the one place it actually works.
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