The ZV-E1 puts the a7S III sensor in a $2,200 body, and the stabilization is genuinely incredible. It also has no fan, which is why I cannot recommend it for weddings.
Continue readingSony ZV-E1 Review – 👍 For Vlogging, 👎 For Wedding Videography…
BEST 50mm Lens Sony Has Ever Made – 50mm F1.4 GM Lens Review For Wedding Filmmakers
516 grams, an iris lock, and the same feeling I get from the 24mm GM. This is the Goldilocks 50mm Sony finally made.
Continue readingCINE EI EXPLAINED – How To EASILY Film SLOG3 In CINE EI Mode With Sony Cameras
Cine EI strips your camera down to two base ISOs. Here is exactly what that does, and why I do not use it for weddings.
Continue readingSony 20-70mm F4 Lens Review For Wedding Filmmakers – A FANTASTIC First Lens
A wedding filmmaker’s review of the Sony 20-70mm F4 G: tiny, 488 grams, near-parfocal, and the wider-rather-than-tighter zoom range that makes it a great first Sony lens.
Continue readingSony a7R V Review For Wedding Filmmakers & Photographers – BEST Hybrid Camera For Photo & Video
A wedding filmmaker’s review of the Sony a7R V: the four axis screen, AI autofocus with human pose estimation, eight stops of IBIS, 8K video, and why it beats the a1 for thousands less.
Continue readingSony FX30 Custom Buttons Setup Guide | Fast Filmmaking Settings For The Sony FX30 Part 2
Part two of my fast filmmaking settings series for the Sony FX30: the three custom modes, every custom button, the function menu and My Menu, so you never dig through menus on a shoot again.
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