A 10x zoom range in one lens for $2,000. Wider than a 70-200 and longer than almost anything, which makes it the ceremony lens I would not have to think about.
Continue readingSony ZV-E1 Review – 👍 For Vlogging, 👎 For Wedding Videography…
The ZV-E1 puts the a7S III sensor in a $2,200 body, and the stabilization is genuinely incredible. It also has no fan, which is why I cannot recommend it for weddings.
Continue readingBEST 50mm Lens Sony Has Ever Made – 50mm F1.4 GM Lens Review For Wedding Filmmakers
516 grams, an iris lock, and the same feeling I get from the 24mm GM. This is the Goldilocks 50mm Sony finally made.
Continue readingCINE EI EXPLAINED – How To EASILY Film SLOG3 In CINE EI Mode With Sony Cameras
Cine EI strips your camera down to two base ISOs. Here is exactly what that does, and why I do not use it for weddings.
Continue readingSony 20-70mm F4 Lens Review For Wedding Filmmakers – A FANTASTIC First Lens
A wedding filmmaker’s review of the Sony 20-70mm F4 G: tiny, 488 grams, near-parfocal, and the wider-rather-than-tighter zoom range that makes it a great first Sony lens.
Continue readingSony a7R V Review For Wedding Filmmakers & Photographers – BEST Hybrid Camera For Photo & Video
A wedding filmmaker’s review of the Sony a7R V: the four axis screen, AI autofocus with human pose estimation, eight stops of IBIS, 8K video, and why it beats the a1 for thousands less.
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