Three years after the a7S III, here are the four things filmmakers actually want from the a7S IV, and why one of them is a legal problem.
Continue readingSony a7S IV Wishlist For Filmmakers!
SLOG3 vs S-Cinetone – Which picture profile should you choose?!
One gives you the most dynamic range a Sony can record. The other gives you an image you can hand over immediately. Three situations where I pick each, and the ISO difference that decides it on a sunny day.
Continue readingCan you combine S-LOG3 with S-Cinetone? Let’s Find Out…
Can you mix S-Log3 gamma with S-Cinetone color to get high dynamic range that also looks good straight out of camera? I tried every combination on the a7S III.
Continue readingThis Filmmaker’s Sony A7Siii Wishlist
Four things I want from the Sony a7S III, and one thing I really do not: 4K 60 on SD cards, a fully articulating screen, S-Cinetone, and no overheating.
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