Sony and Panasonic never made an 85mm F1.2 with autofocus, so Sigma did. Here’s how the $1,600 Sigma 85mm F1.2 DG Art holds up for wedding filmmakers, how it compares to the F1.4 options, and the one reason to skip it.
Continue readingThis Lens REPLACES Your Zoom Lenses 😲 Sony 50-150 F2
Sony’s new 50-150mm f/2 GM can replace a whole shelf of tighter primes and your 70-200. It is also $3,500 to $3,800. Here is who it is actually for.
Continue readingSmaller, Lighter, Better For Filmmakers – Sony 16-35 F2.8 GM ii Lens Review
An f/2.8 wide angle that weighs almost the same as the old f/4, with a barrel that barely extends, which means you stop rebalancing your gimbal every time you zoom.
Continue readingThe Tamron 28-75 Is All That You Need For Filming Weddings!
540 grams, f/2.8, and 00. If you’re a solo wedding filmmaker buying your first lens, this is a stronger argument than a prime, and here’s why.
Continue readingMy Favorite Lenses For Wedding Filmmaking!
The four lenses I bring to every wedding: a Sigma 24mm, two Contax Zeiss primes from the 1970s, and a Sony Zeiss 135mm. None of them are Sony only.
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