The DJI RS4 Mini takes auto locking arms, the one button vertical swap and the switch layout from the RS4 Pro and shrinks them down. Here’s my review after testing it against my RS3 Mini.
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A full frame zoom that holds f/1.8 across its whole range, with an internal zoom that makes it a gimbal lens. Here is my review of the Sigma 28-45, including the two complaints everyone had about it.
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The RS4 Pro is the RS3 Pro plus one thing that actually matters on a wedding day: you can flip from horizontal to vertical in about ten seconds. Here is what that is worth, and who should skip it.
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Wide, fast, and 409 grams. Sony’s 16-25mm f/2.8 G is an odd focal range that makes total sense the moment you put it on a gimbal.
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A wedding filmmaker’s review of the Sony 20-70mm F4 G: tiny, 488 grams, near-parfocal, and the wider-rather-than-tighter zoom range that makes it a great first Sony lens.
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Eight stops of IBIS, tested on the streets of New York at twilight with Taylor Jackson. What 8K and 4K active stabilization actually look like handheld, and whether you can leave the gimbal at home.
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