Sony has not said a word about an FX6 Mark II, but based on what they just shipped in the FX5, I am betting it is coming with internal ND filters, IBIS, and a $6,999 price tag.
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I edited Sony FX5 XOCN RAW on the cheapest laptop Apple makes, a fanless M5 MacBook Air. DaVinci Resolve handled three stacked RAW tracks without breaking a sweat, Premiere Pro came close, and Final Cut Pro could not open the video at all.
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The FX5 and the S1 II both record RAW internally, but they split hard after that. Here is every category each camera wins, and the one I actually bought.
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The FX5 brings 16-bit internal RAW, 5K open gate, a third base ISO and over 16 stops of dynamic range. The FX3 is still legendary though, so here is which one I would actually buy.
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I put the Sony FX5 in direct Texas sunlight recording 5K open gate RAW at almost two gigabits per second and tried everything I could to make it overheat. The body hit 135 degrees and the camera never flinched.
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The Nikon ZR costs less than half what the Sony FX5 does and records higher resolution RAW. But compression, dynamic range, and the long-term cost of storage complicate the math more than the sticker price suggests.
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