A wedding filmmaker’s review of the Sony a1 II: what Sony refined, what they left completely untouched, and why Nikon, Canon and Panasonic have quietly pulled ahead on video.
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Sony’s new 28-70mm f/2 GM is a pound lighter, 11% smaller and cheaper than Canon’s. Here’s my review from the perspective of a wedding filmmaker.
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Sony’s 85mm f/1.4 GM II is lighter, smaller, sharper, and faster to focus than the original, at the same price. Here is my review from a wedding filmmaker’s perspective, plus why I still want an f/1.2.
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The same APS-C sensor as the a6700 and the FX30, in a 99 body. Here is my review of the Sony ZV-E10 II from a wedding filmmaker’s perspective, and an honest look at what Sony removed to hit that price.
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Wide, fast, and 409 grams. Sony’s 16-25mm f/2.8 G is an odd focal range that makes total sense the moment you put it on a gimbal.
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Focus breathing compensation, DCI 4K, true 24.00p and timecode over USB. Here is everything in the a7S III firmware update, plus the one feature Sony decided to charge $149 for.
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