Wide, fast, and 409 grams. Sony’s 16-25mm f/2.8 G is an odd focal range that makes total sense the moment you put it on a gimbal.
Continue readingULTIMATE Gimbal Lens – Sony 16-25 F2.8 G Review For Wedding Filmmakers
Every Wedding Videographer NEEDS These Audio Cables!
XLR, quarter inch and RCA. With these three cables you can plug into any DJ board, any venue system, and any dusty rack in a church basement. Here is what each one is for and when to reach for it.
Continue readingHow to use Proxy Files to Edit SUPER FAST in DaVinci Resolve!
Proxies make 4K editing smooth on any computer, even an old one on a slow external drive. Here are the exact settings, how to batch generate them in the background, and the one quirk that breaks them.
Continue readingBIG Update For Sony A7S III Is Here For Filmmakers!
Focus breathing compensation, DCI 4K, true 24.00p and timecode over USB. Here is everything in the a7S III firmware update, plus the one feature Sony decided to charge $149 for.
Continue readingHow To EASILY Edit Mixed Frame Rate Video In DaVinci Resolve
Shot at 24, 30 and 60 and now you have to slow every clip down one at a time? You don’t. Here is how to reinterpret all of your footage to one frame rate in a few clicks, and the proxy warning that comes with it.
Continue readingEditing MISTAKES Keeping You From Making Good Wedding Videos
Three mistakes I keep seeing in the wedding films I review every month: burying people under detail shots, letting the ceremony kill your pacing, and cutting in shots that only serve you. Plus my own 20 minute ring shot disaster.
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