30 hours of battery, a full color screen, a Sanken-modeled lav in the box, and the easiest timecode ecosystem going. Here is my review of the Deity PR-2, including why the US version is crippled.
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The same APS-C sensor as the a6700 and the FX30, in a 99 body. Here is my review of the Sony ZV-E10 II from a wedding filmmaker’s perspective, and an honest look at what Sony removed to hit that price.
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Every piece of audio gear I use to film a wedding, walked through in the order you will need it, from the getting ready room to the last toast. Six recorders, three cables, and a lot of backups.
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Color management is the easiest way to get amazing colors in DaVinci Resolve, and it genuinely takes one click. Here is how to turn it on, how to tell Resolve which log profile you filmed in, and whether you still need LUTs afterward.
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Sponsored by Nikon. Here are the exact video autofocus settings I dial into a Nikon Z6 III for filming people, for animals and vehicles, and for tracking a moving subject while the camera is moving too.
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The Z6 III takes internal 6K RAW and the autofocus from the Z8 and Z9 and puts them in a smaller ,500 body with a flip out screen. Here is my early review from a wedding filmmaker’s perspective, including a Texas summer overheating test.
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