MSI’s Pro Max 27 is a $700 OLED built for video editors who game on the side. Here is why it out-punches an Apple Studio Display that costs twice as much.
Continue readingThe Apple Studio Display Just Got Embarrassed by a $700 MSI OLED
Premiere Pro Color Looks Different After Export? How To Fix It FAST!
Change Viewer Gamma to 2.2 (Web) and you have probably fixed it. If not, here is Adobe’s free compensation LUT, the QuickTime gamma explanation nobody tells you about, and the Nvidia setting that washes out PC exports.
Continue readingPremiere Pro LOG Color Grading INSTANTLY Without LUTs – Color Management Tutorial
How to set up color management in Premiere Pro so log footage from any camera comes in with contrast and saturation automatically, and stays that way on every project after.
Continue readingColor Management EXPLAINED: Get Amazing Colors In DaVinci Resolve In ONE Click
Color management is the easiest way to get amazing colors in DaVinci Resolve, and it genuinely takes one click. Here is how to turn it on, how to tell Resolve which log profile you filmed in, and whether you still need LUTs afterward.
Continue readingAn Ultrawide Monitor PERFECT For Video Editing & Gaming! (Dell U4025QW Review)
The one thing ultrawides always got wrong was resolution. The Dell U4025QW is 5120 by 2160 on an IPS Black panel at 120Hz, which means it plays 4K pixel for pixel and games properly too.
Continue readingHow To EASILY Film In Apple Log With The iPhone 15 Pro
Apple Log breaks the rule every other log profile follows. Here’s how to enable it in the stock camera app, and the two-step exposure system that keeps your iPhone footage clean.
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