Zoom’s H4essential records 32-bit float audio for $200, which is a hundred dollars less than I paid for my H4n back in 2009. Here is how it actually holds up at a wedding.
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Nikon sued RED over internal RAW, settled, and has now bought the company outright. Here is my read on why RED sold and what changes for filmmakers.
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Every setting you need to dial in on the Zoom F3, from battery type to the Source menu that decides whether you send phantom power down the cable.
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I made $8,327 selling stock footage last year. Here are my five most downloaded clips and the three takeaways I pulled out of them.
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The Precision 5680 is the Dell laptop I’d actually trust to color grade on, which is more than I can say for the XPS 17 I owned before it.
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Sony’s 24-50mm f/2.8 G is lighter than my 24mm GM prime and covers both of my favorite focal lengths. Here’s how it holds up on a wedding day.
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