The Panasonic S1IIE puts the much loved S5II sensor into the new S1II body for $700 less. Here is how it holds up for wedding and documentary work, including my overheating tests in the Texas heat.
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The Lumix S1II gives you 6K 60fps full frame with no crop, internal ProRes RAW, open gate, and the widest dynamic range of any Panasonic full frame camera. Here is how it held up for paid work, including my overheating tests in the Texas sun.
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V-Log looks flat and intimidating on the back of the camera, but it does not have to be. Here is how to set up view assist, metering, zebras, the waveform monitor, and ISO on a Panasonic so you can nail exposure in ten seconds.
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Internal ProRes RAW, 32-bit float audio recorded straight into the video file, a fan, dual card slots that actually dual record, and 39 internal LUTs, for $2,200. The GH7 checks every box I have ever had.
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Full frame, 6K open gate, the best LUT system in any camera, and $1,500. Then there’s the 15 minute recording limit and no headphone jack, which is why I can’t recommend the S9 for paid work.
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