Four millimeters narrower than a 24-105 but a full stop faster, and half the price of the Canon. Here is my review of the Sigma 28-105 f/2.8 from a wedding filmmaker’s perspective.
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V-Log looks flat and intimidating on the back of the camera, but it does not have to be. Here is how to set up view assist, metering, zebras, the waveform monitor, and ISO on a Panasonic so you can nail exposure in ten seconds.
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Sony’s 85mm f/1.4 GM II is lighter, smaller, sharper, and faster to focus than the original, at the same price. Here is my review from a wedding filmmaker’s perspective, plus why I still want an f/1.2.
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Three easy techniques for mixing songs together in a video edit: match the key, match the BPM, and stop cutting your fades short. Most of the work happens before you ever open your editing software.
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A 32-bit float recorder small enough to hide on a bride’s dress, now with a real button, USB-C, Bluetooth, and timecode. Here is my review of the Instamic Pro Plus C from a wedding filmmaker’s perspective.
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A full frame zoom that holds f/1.8 across its whole range, with an internal zoom that makes it a gimbal lens. Here is my review of the Sigma 28-45, including the two complaints everyone had about it.
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