My real 2024 numbers from Adobe Stock and Artgrid, side by side: how many clips I had uploaded, how many actually sold, and what each one earned. The gap between the two sites is not what most filmmakers expect.
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The exact Premiere Pro export settings I use on every 4K video, walked through one setting at a time, plus how to save them as a preset so you only do this once.
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Which M4 iMac to buy for video editing, why the base model is the one to skip, and the two desktop Macs that beat it on value at either end of the price range.
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A full breakdown of the $9,916.18 I made selling stock footage in 2024, site by site, plus the one filming change that added almost $2,000 to my Artgrid income.
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A wedding filmmaker’s review of the Sony a1 II: what Sony refined, what they left completely untouched, and why Nikon, Canon and Panasonic have quietly pulled ahead on video.
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How to set up color management in Premiere Pro so log footage from any camera comes in with contrast and saturation automatically, and stays that way on every project after.
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