The exact 4K export settings I use in DaVinci Resolve for YouTube, why you should export in 4K even if you shot 1080, and free presets so you never dial them in again.
Continue reading
Sony’s new 16mm f/1.8 G is a 304 gram full frame ultra wide that takes normal 67mm filters and is targeting half the price of the 14mm f/1.8 GM. Here’s my review of it as a wedding filmmaker.
Continue reading
The DJI RS4 Mini takes auto locking arms, the one button vertical swap and the switch layout from the RS4 Pro and shrinks them down. Here’s my review after testing it against my RS3 Mini.
Continue reading
Less than a year after the merger, RED and Nikon have announced Z mount V-Raptor and Komodo X cameras, deeper lens integration than Canon ever allowed, and Nikon’s first cinema lens.
Continue reading
31Films charges around 30K for a wedding film. I spent four days in Austin watching Aaron, Tina and Ryan shoot one, and here is exactly how they work, what they carry, and what they say separates elite wedding filmmakers from everyone else.
Continue reading
Change Viewer Gamma to 2.2 (Web) and you have probably fixed it. If not, here is Adobe’s free compensation LUT, the QuickTime gamma explanation nobody tells you about, and the Nvidia setting that washes out PC exports.
Continue reading