Six rounds of Warp Stabilizer against the DaVinci Resolve stabilizer: how you apply them, how fast they analyze, how good they look untouched, and the export mistake that once ended up on a Times Square billboard.
Continue reading
Which M4 Mac mini to buy for video editing, why the $600 base model needs no upgrades at all, and the exact point where spending more stops making sense.
Continue reading
Three M4 MacBook Pro recommendations for video editing at three price points: a $1,600 budget pick, a $2,000 best bang for your buck pick, and a $3,500 beast.
Continue reading
6K raw for about $3,000 is an incredible price, but the Pyxis only makes sense for a very specific kind of filmmaker. Here’s my full review after a month with it.
Continue reading
Sony’s new 28-70mm f/2 GM is a pound lighter, 11% smaller and cheaper than Canon’s. Here’s my review from the perspective of a wedding filmmaker.
Continue reading
Final Cut handles ProRes RAW beautifully. DaVinci Resolve imports it as an audio file. Premiere hides the raw controls behind a button nobody clicks. Here’s why.
Continue reading