The DJI RS4 Mini takes auto locking arms, the one button vertical swap and the switch layout from the RS4 Pro and shrinks them down. Here’s my review after testing it against my RS3 Mini.
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31Films charges around 30K for a wedding film. I spent four days in Austin watching Aaron, Tina and Ryan shoot one, and here is exactly how they work, what they carry, and what they say separates elite wedding filmmakers from everyone else.
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A wedding filmmaker’s review of the Sony a1 II: what Sony refined, what they left completely untouched, and why Nikon, Canon and Panasonic have quietly pulled ahead on video.
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6K raw for about $3,000 is an incredible price, but the Pyxis only makes sense for a very specific kind of filmmaker. Here’s my full review after a month with it.
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Sony’s new 28-70mm f/2 GM is a pound lighter, 11% smaller and cheaper than Canon’s. Here’s my review from the perspective of a wedding filmmaker.
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Should you give your couples their raw footage, sell it, or never offer it? Here are all three options, plus the one that earns the most for about an hour of work.
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