The Panasonic S1IIE puts the much loved S5II sensor into the new S1II body for $700 less. Here is how it holds up for wedding and documentary work, including my overheating tests in the Texas heat.
Continue reading
The Lumix S1II gives you 6K 60fps full frame with no crop, internal ProRes RAW, open gate, and the widest dynamic range of any Panasonic full frame camera. Here is how it held up for paid work, including my overheating tests in the Texas sun.
Continue reading
Sony’s new 50-150mm f/2 GM can replace a whole shelf of tighter primes and your 70-200. It is also $3,500 to $3,800. Here is who it is actually for.
Continue reading
Three ways to kill flicker in Resolve: the free clip duplication trick, the built in Deflicker effect and its advanced controls, and the plugin that fixes the footage nothing else will.
Continue reading
I let a scammer run the whole play on me, from the first fake inquiry to the $4,450 hot check that arrived from a hospital in California. Here is every red flag, in order.
Continue reading
Sony’s new 16mm f/1.8 G is a 304 gram full frame ultra wide that takes normal 67mm filters and is targeting half the price of the 14mm f/1.8 GM. Here’s my review of it as a wedding filmmaker.
Continue reading