How I scout locations for a destination wedding, why I planned the mountain portraits to feel the opposite of the reception, and what a $59 projector can do.
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Three times brighter than the 602, a new Fresnel, a 77mm filter thread, and a beam that got narrower. Then there is the $1,200 against the Aputure 60x’s $419.
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516 grams, an iris lock, and the same feeling I get from the 24mm GM. This is the Goldilocks 50mm Sony finally made.
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8K at 60fps in internal raw, a two hour record limit, and a lawsuit. The Z9 is one of the best cameras made, and I still would not buy one yet.
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32-bit float for $369, and two hours more battery than the X8. The only real regression is the XLR jacks, and it matters more than it sounds.
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A wedding filmmaker’s review of the Sony 20-70mm F4 G: tiny, 488 grams, near-parfocal, and the wider-rather-than-tighter zoom range that makes it a great first Sony lens.
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