The FX5 can’t take photos, and I think that one decision tells us exactly what Sony does next: an a7S IV with the FX5 sensor, a built-in viewfinder, and a price around $4,500.
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A full wedding day filmed alone, start to finish, with Justin Porter following me around. What changes, what breaks, and the small decisions that make solo possible.
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Monica and David’s wedding day, start to finish. Three camera ceremony, a power outage from a forest fire, a light stand lashed to a tree, and a bear.
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Two cameras that look almost identical, with a thousand dollars between them. Here is every difference that actually matters for video: the 1.5x crop at 4K 60, the slow motion ceiling, low light, memory card slots, overheating, and who each camera is really for.
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A full wedding day in a thunderstorm, 100% chance of rain from open to close, and one a7S III that did not survive it.
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I rented the Sony 50mm f/1.2 GM with my own money and shot a multi-day wedding with it. Here is how it compares to every other 50mm I have used, and the two things that stop it being the perfect lens.
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