4K at 120fps, a sharper ultrawide, Camera Control, and four studio quality microphones. Here is my review of the iPhone 16 Pro from a filmmaker’s perspective, including the one 4K120 caveat nobody is talking about.
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4K at 120fps, a dedicated camera button, a 48 megapixel ultrawide, four studio quality mics, and a heat structure nobody is talking about. Here are the eight iPhone 16 Pro upgrades that matter to filmmakers.
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Four millimeters narrower than a 24-105 but a full stop faster, and half the price of the Canon. Here is my review of the Sigma 28-105 f/2.8 from a wedding filmmaker’s perspective.
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V-Log looks flat and intimidating on the back of the camera, but it does not have to be. Here is how to set up view assist, metering, zebras, the waveform monitor, and ISO on a Panasonic so you can nail exposure in ten seconds.
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Sony’s 85mm f/1.4 GM II is lighter, smaller, sharper, and faster to focus than the original, at the same price. Here is my review from a wedding filmmaker’s perspective, plus why I still want an f/1.2.
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Three easy techniques for mixing songs together in a video edit: match the key, match the BPM, and stop cutting your fades short. Most of the work happens before you ever open your editing software.
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