Sony’s new 28-70mm f/2 GM is a pound lighter, 11% smaller and cheaper than Canon’s. Here’s my review from the perspective of a wedding filmmaker.
Continue readingFINALLY A Cool Lens From Sony! 28-70 F2 Review For Wedding Filmmakers
ProRes RAW Sucks In Most Video Editing Software! Watch This Before Using It
Final Cut handles ProRes RAW beautifully. DaVinci Resolve imports it as an audio file. Premiere hides the raw controls behind a button nobody clicks. Here’s why.
Continue readingHow Wedding Videographers Can Make More $$$ With Raw Footage
Should you give your couples their raw footage, sell it, or never offer it? Here are all three options, plus the one that earns the most for about an hour of work.
Continue readingAudio Recorder BATTLE: Zoom F3 vs Tascam FR-AV2!
Two great 32 bit float recorders, ten real differences. The F3 is easier and cheaper, the FR-AV2 does wireless monitoring and works with any timecode system.
Continue readingThe NEW Way To Sync Audio & Video With Time Code In Premiere Pro 2025!
Premiere Pro finally reads linear timecode, which means any camera with a spare audio channel can sync in two clicks. Here’s both methods, step by step.
Continue readingHow To Mic A Groom On A Wedding Day – 3 Things To Remember!
Where to clip the lav, how to handle a groom with no jacket, and the two things most filmmakers forget: the couple’s height difference, and the wind.
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