A wedding filmmaker’s review of the Sony a1 II: what Sony refined, what they left completely untouched, and why Nikon, Canon and Panasonic have quietly pulled ahead on video.
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How to set up color management in Premiere Pro so log footage from any camera comes in with contrast and saturation automatically, and stays that way on every project after.
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Six rounds of Warp Stabilizer against the DaVinci Resolve stabilizer: how you apply them, how fast they analyze, how good they look untouched, and the export mistake that once ended up on a Times Square billboard.
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Which M4 Mac mini to buy for video editing, why the $600 base model needs no upgrades at all, and the exact point where spending more stops making sense.
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Three M4 MacBook Pro recommendations for video editing at three price points: a $1,600 budget pick, a $2,000 best bang for your buck pick, and a $3,500 beast.
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6K raw for about $3,000 is an incredible price, but the Pyxis only makes sense for a very specific kind of filmmaker. Here’s my full review after a month with it.
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