The RS4 Pro is the RS3 Pro plus one thing that actually matters on a wedding day: you can flip from horizontal to vertical in about ten seconds. Here is what that is worth, and who should skip it.
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Full frame, 6K open gate, the best LUT system in any camera, and $1,500. Then there’s the 15 minute recording limit and no headphone jack, which is why I can’t recommend the S9 for paid work.
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Adobe’s Enhance Speech tool lives inside Premiere Pro now, and it can rescue on camera audio that used to be unusable. Here is how to use it, and how to keep it from making your audio sound like a robot in a studio.
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Two days in New Orleans watching Caleb and Elaine from KEJ Productions film a luxury wedding, from the rehearsal dinner strategy nobody talks about to the eight dollar trick that keeps planners happy.
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The H1essential is the cheapest 32-bit float recorder you can buy at $99, but it is also the most limited. Here is who it is actually for, and the two recorders I would buy instead.
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Wide, fast, and 409 grams. Sony’s 16-25mm f/2.8 G is an odd focal range that makes total sense the moment you put it on a gimbal.
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