Sponsored by Nikon. Here are the exact video autofocus settings I dial into a Nikon Z6 III for filming people, for animals and vehicles, and for tracking a moving subject while the camera is moving too.
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Adobe’s Enhance Speech tool lives inside Premiere Pro now, and it can rescue on camera audio that used to be unusable. Here is how to use it, and how to keep it from making your audio sound like a robot in a studio.
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Two days in New Orleans watching Caleb and Elaine from KEJ Productions film a luxury wedding, from the rehearsal dinner strategy nobody talks about to the eight dollar trick that keeps planners happy.
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The one thing ultrawides always got wrong was resolution. The Dell U4025QW is 5120 by 2160 on an IPS Black panel at 120Hz, which means it plays 4K pixel for pixel and games properly too.
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Wide, fast, and 409 grams. Sony’s 16-25mm f/2.8 G is an odd focal range that makes total sense the moment you put it on a gimbal.
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Shot at 24, 30 and 60 and now you have to slow every clip down one at a time? You don’t. Here is how to reinterpret all of your footage to one frame rate in a few clicks, and the proxy warning that comes with it.
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