Zoom’s H4essential records 32-bit float audio for $200, which is a hundred dollars less than I paid for my H4n back in 2009. Here is how it actually holds up at a wedding.
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Sony’s 24-50mm f/2.8 G is lighter than my 24mm GM prime and covers both of my favorite focal lengths. Here’s how it holds up on a wedding day.
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Justin Porter mics twelve people, lights the entire reception himself, and chases the story all day. I tagged along for a full wedding to see how it works.
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Nine differences between the DJI Mic 2 and the Rode Wireless PRO, judged the way a wedding filmmaker would judge them.
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The DJI Mic 2 is a great mic for creators. For a wedding day, the missing locking jack and that power button are hard to get past.
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A full walkthrough of wireless timecode with the Atomos UltraSync BLUE and ONE, a Tascam DR-10L Pro and a Sony a7S III, right down to the two clicks in DaVinci Resolve that sync everything at once.
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