One gives you the most dynamic range a Sony can record. The other gives you an image you can hand over immediately. Three situations where I pick each, and the ISO difference that decides it on a sunny day.
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SLOG3 is not noisy. It is usually exposed wrong. Here is PP8 versus PP9, the metering number to aim for, the zebra level that actually matters, and the ISOs to avoid on the a7S III, FX3 and FX6.
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A full review of the Sony a7S III from the perspective of someone who films weddings with it: the build, the new menus, the autofocus, the low light, the dual gain ISO quirk nobody warns you about, the bit rates, and whether it was worth the five year wait.
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