A hot take: the Sony 70-200 F4 is all you need for wedding ceremonies. Why the F4 aperture is not the problem you think it is, why the weight matters more, and how it stacks up against the f/2.8 GM II.
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A committed prime lens guy reviews the smallest and lightest 24-70 on the market, and finds out whether size and weight are enough to change his mind.
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I rented the Sony 50mm f/1.2 GM with my own money and shot a multi-day wedding with it. Here is how it compares to every other 50mm I have used, and the two things that stop it being the perfect lens.
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Sony’s 24mm f/2.8, 40mm f/2.5 and 50mm f/2.5 look redundant and overpriced next to the lenses they already sell. Here is why the build, the clickless aperture and the silent autofocus make them the ones I would buy for filmmaking anyway.
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