Wide, fast, and 409 grams. Sony’s 16-25mm f/2.8 G is an odd focal range that makes total sense the moment you put it on a gimbal.
Continue readingULTIMATE Gimbal Lens – Sony 16-25 F2.8 G Review For Wedding Filmmakers
Sell Your Primes For This Lens?! Sony 24-50 G F2.8 Review
Sony’s 24-50mm f/2.8 G is lighter than my 24mm GM prime and covers both of my favorite focal lengths. Here’s how it holds up on a wedding day.
Continue readingCOMPACT Wedding Lens! Sony 70-200 G F4 ii Review For Wedding Filmmakers
Sony’s new 70-200 F4 II is lighter, sharper and more compact than the original, and it is a macro lens too. Here is my full review for wedding filmmakers.
Continue readingTime To Film In Anamorphic? How Anamorphic Lenses Work – Sirui Saturn 35mm Lens Review
What an anamorphic lens actually does, why de-squeezing gives you black bars for free, and whether the $1,299 Sirui Saturn 35mm makes anamorphic worth it.
Continue readingULTIMATE Wedding Ceremony Lens – Sigma 60-600 Lens Review
A 10x zoom range in one lens for $2,000. Wider than a 70-200 and longer than almost anything, which makes it the ceremony lens I would not have to think about.
Continue readingBEST 50mm Lens Sony Has Ever Made – 50mm F1.4 GM Lens Review For Wedding Filmmakers
516 grams, an iris lock, and the same feeling I get from the 24mm GM. This is the Goldilocks 50mm Sony finally made.
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