Sony’s 24-50mm f/2.8 G is lighter than my 24mm GM prime and covers both of my favorite focal lengths. Here’s how it holds up on a wedding day.
Continue readingSell Your Primes For This Lens?! Sony 24-50 G F2.8 Review
COMPACT Wedding Lens! Sony 70-200 G F4 ii Review For Wedding Filmmakers
Sony’s new 70-200 F4 II is lighter, sharper and more compact than the original, and it is a macro lens too. Here is my full review for wedding filmmakers.
Continue readingTime To Film In Anamorphic? How Anamorphic Lenses Work – Sirui Saturn 35mm Lens Review
What an anamorphic lens actually does, why de-squeezing gives you black bars for free, and whether the $1,299 Sirui Saturn 35mm makes anamorphic worth it.
Continue readingULTIMATE Wedding Ceremony Lens – Sigma 60-600 Lens Review
A 10x zoom range in one lens for $2,000. Wider than a 70-200 and longer than almost anything, which makes it the ceremony lens I would not have to think about.
Continue readingBEST 50mm Lens Sony Has Ever Made – 50mm F1.4 GM Lens Review For Wedding Filmmakers
516 grams, an iris lock, and the same feeling I get from the 24mm GM. This is the Goldilocks 50mm Sony finally made.
Continue readingSony 20-70mm F4 Lens Review For Wedding Filmmakers – A FANTASTIC First Lens
A wedding filmmaker’s review of the Sony 20-70mm F4 G: tiny, 488 grams, near-parfocal, and the wider-rather-than-tighter zoom range that makes it a great first Sony lens.
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