Eight stops of IBIS, tested on the streets of New York at twilight with Taylor Jackson. What 8K and 4K active stabilization actually look like handheld, and whether you can leave the gimbal at home.
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The full ISO ladder from 800 to 32,000, shot at 1 a.m. in New York on a Zeiss 50mm at f/1.4. Where the noise starts, where I would stop, and why 61 megapixels sets the ceiling.
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I ran the a7S III at 4K 24, 60 and 120 indoors and in 117 degree Texas sun, plus a whole real wedding. Here is exactly what it takes to make it overheat.
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Everything was shot on the Sony A7S Mark 2 in 4K, handheld, and using the S-LOG3 Picture Profile. The lens is a Sigma ART 50mm 1.4 Nikon Mount with a Commlite adapter.
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