A wedding filmmaker’s review of the Sony a1 II: what Sony refined, what they left completely untouched, and why Nikon, Canon and Panasonic have quietly pulled ahead on video.
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6K raw for about $3,000 is an incredible price, but the Pyxis only makes sense for a very specific kind of filmmaker. Here’s my full review after a month with it.
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The same APS-C sensor as the a6700 and the FX30, in a 99 body. Here is my review of the Sony ZV-E10 II from a wedding filmmaker’s perspective, and an honest look at what Sony removed to hit that price.
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The Z6 III takes internal 6K RAW and the autofocus from the Z8 and Z9 and puts them in a smaller ,500 body with a flip out screen. Here is my early review from a wedding filmmaker’s perspective, including a Texas summer overheating test.
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Internal ProRes RAW, 32-bit float audio recorded straight into the video file, a fan, dual card slots that actually dual record, and 39 internal LUTs, for $2,200. The GH7 checks every box I have ever had.
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Full frame, 6K open gate, the best LUT system in any camera, and $1,500. Then there’s the 15 minute recording limit and no headphone jack, which is why I can’t recommend the S9 for paid work.
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