How I scout locations for a destination wedding, why I planned the mountain portraits to feel the opposite of the reception, and what a $59 projector can do.
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Resolution, frame rate, whether to shoot log, clip lengths, and why one afternoon of filming my brother fishing turned into 40 clips for sale.
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Three times brighter than the 602, a new Fresnel, a 77mm filter thread, and a beam that got narrower. Then there is the $1,200 against the Aputure 60x’s $419.
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Three MacBooks for 4K editing at three price points, plus the two upgrades Apple hides from you and the one everybody wastes money on.
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516 grams, an iris lock, and the same feeling I get from the 24mm GM. This is the Goldilocks 50mm Sony finally made.
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Cine EI strips your camera down to two base ISOs. Here is exactly what that does, and why I do not use it for weddings.
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