My Favorite Picture Profile For the Sony A7Sii and FS5

Three months ago, I started making wedding cinematography training videos to help others film weddings. It took about a week after uploading my first video for me to discover that there is a massive community of wedding cinematographers out there that want to get better at their craft. As I produce more videos in this series, I find that I am asked even more questions in comments and emails. These messages are added to an ever-increasing list of videos that I will be making in the future.

By far though, the most popular question I have received is, “Which picture profile should I use when shooting with my A7Sii?” This is definitely a complicated question due to the sheer depth of the picture profile menu on the A7Sii and FS5, as well as how many differing opinions there are across the many blogs and forums across the Internet. Your train of thought may have been something like mine: “Do I shoot with the new fancy SLOG3? But doesn’t that cause noise in the shadows? What about SLOG2 instead? Isn’t that going to cause an odd green tint in some images? Maybe one of the Cinegammas then? Aren’t those called Hypergammas in the higher end Sony Cameras? Why is everything so different? Am I crazy? Does this even look better?”

The look I make when I think too hard about Sony's picture profiles.
The look I make when I think too hard about Sony’s picture profiles.

I’m excited to say that today I have an answer for you. After extensive testing, and reading throughout the vast corners of the Internet so you don’t have to, I have found an ideal picture profile. Please keep in mind that while this may be my favorite picture profile, it doesn’t have to be yours. You can have a different opinion from me, and that is alright.

I wanted a picture profile that would suit my needs well. It needed wide dynamic range, a flat image for color grading (but not too flat!), and be versatile for the wide variety of shooting locations I typically go through on a wedding day.

Those needs almost immediately cut SLOG2 and SLOG3, with their minimum ISOs of 1600, and their bright exposure requirements, from my list of options for picture profiles. Incidentally, the 8-bit codec of the A7Sii in SLOG3 can also cause banding in the finer color gradients like blue skies etc. I wanted to avoid this as well.

If you don’t feel like watching me ramble in the above video for 6 minutes about picture profiles, here are the settings for my favorite picture profile:

SETTINGS FOR MY FAVORITE PICTURE PROFILE FOR THE SONY A7Sii and FS5

-Reset PP8 to default.
-Change the Gamut from SLOG3 to CINE4.

That’s it! Congratulations, you’re now shooting in my favorite picture profile! Leave all the other settings as they are. Go try it out and see how you like it. I’ll be making another video soon, showing how I color grade this picture profile.

Special thanks for Marien Breithouwer for originally sharing this picture profile.

Want to watch more? Check out my reviews of the A7Sii and FS5, as well as a tip for how wedding cinematographers and photographers can get along. If you have any questions or comments about this picture profile or anything else relating to wedding cinematography, please get in touch.

How wedding cinematographers can get along with photographers (and vice versa)!

If you’ve watched my previous two wedding cinematography vlogs, you’re probably aware that they are on the technical side. I’ve covered topics like bit-rates, color depth, picture profiles, and battery life for both the Sony A7Sii and FS5. Both are amazing cameras that I was more than happy to review and share with other wedding cinematographers. If you are looking to switch or upgrade to these cameras, I would highly recommend watching both of those vlogs.

Clearly, my beard and I are excited to share this tip with you.
Clearly, my beard and I are excited to share this tip with you.

Now, I would like to take a step back from the technical side of things, and share something that, in my opinion, has a far greater effect on how you can create great wedding films. Wedding days at their core are about relationships. The bride and groom’s relationship, the parents of bride and groom and their relationship with their children, the minister’s relationship with the couple, and many more as these two families connect on the wedding day. Let’s talk about another relationship that will affect you, the cinematographer, even more than all others on the wedding day, your relationship with the photographer.

For years, I would go show up to a wedding with no knowledge of who the photographer is, much less anything about them. All I knew is that the bride and groom had apparently hired them. Now I’m a relatively friendly guy so we would usually hit it off and work well together, but it was always a strange experience. See, weddings are unlike other 9-5 cubicle jobs where you work with the same people for long periods until they or you eventually quit or get fired. With weddings, we work with a different co-worker every week! Would you go to work without getting to know your co-workers? No! Then why would you film a wedding without getting to know the photographer beforehand?

Special thanks to Upper Torso Alex for his assistance with this VLOG.
Special thanks to head and shoulders Alex for his assistance with this vlog.

In this video, I share an amazing tip that I learned from my friend Alex Maldonado that will help you instantly hit it off with any wedding photographer. When he first showed this tip to me it completely blew my mind. And if you’re a wedding photographer, this works for you too!

Remember, everyone wins when the wedding cinematographer and photographer get along. There is a free flow of creative ideas, both of your portfolios get amazing visuals that look better, and the bride and groom get better film and photos. It’s a win all around.

I hope this vlog helped you learn something about wedding cinematography that you didn’t know before. If you have any questions or comments, please feel free to get in touch.

How To Upload Previously Shot Videos To Instagram

UPDATE: With the new Instagram 4.1 update, you can now upload videos directly from your iPhone camera roll.  I have made an updated tutorial that shows how to edit high quality square videos and copy them to your camera roll for uploading to Instagram.  Click here to see the updated tutorial.

Ever sincInstagram-Videoe Instagram unveiled video uploading last month, I have been desperate to upload videos that I have previously recorded on my iphone, as well as videos from other cameras and ones that I have edited.  With this easy to follow text tutorial, you will be able to upload any video you want to Instagram, even ones that are much higher quality than those you can record with an iPhone camera, such as DSLR videos, or RAW Timelapse clips.  The only drawback is that you cannot use a still frame from the video that you are uploading, and your custom video cannot exceed the 15 second length.

You can view an example of a custom uploaded video on my Instagram Page.

WHAT YOU WILL NEED

  • an iPhone, iPod, or iPad with Instagram (Does NOT need to be Jailbroken)
  • A PC or Mac
  • iFunBox (free download)
  • Adobe Premiere Pro (free trial download)

That’s it!  Once you get everything setup, it only takes around 5 minutes to edit your custom video and render it.

The original idea for this project came from a Google Search I did yesterday and a post on TechEnvy which used Quicktime Pro.  The difference between this tutorial and that one is that Adobe Premiere is used which offers much more freedom, customization, and quality when it comes to editing your video.

Step One

Download and install iFunBox and Adobe Premiere Pro.

Set your iPhone to “Airplane Mode” so that it is no longer connected to the Internet.

Airplane Mode

Step Two

Open Instagram and record a video that is approximately as long as the custom video that you want to upload.  Make sure you get the video length as close as possible; your custom video will have to match the length you record exactly so it doesn’t go to black at the end.  Remember, you can’t have a video longer than 15 seconds.

Record Instagram Video

Also, you cannot choose a still frame from your custom video, meaning that you must choose a still frame from the video you record in Instagram.  I find that it is easiest to record the computer screen of the video that I want to custom upload, and select a still frame from that recording.  That way, the video matches the still frame.

Select Still Frame

Step Three

Type in the description for the video and select the services you want to upload it to as well (Facebook, Twitter, FourSquare, etc).  Then click “Share”.

Type Video Description

Instagram will immediately say “Failed” due to you not having an Internet connection.

Failed Upload

Step Four

Connect your iOS device to your computer and open iFunBox.  The App will recognize that your iPhone is connected.

iFunBox Classic

Double Click on your iPhone and you will have options such as User Applications, App File Sharing, General Storage etc.

iFunBox

In the “iFunbox Classic” tab, DOUBLE CLICK: User Applications > Instagram > Library > Application Support > Instagram > Videos.

Videos

Step Five

There should be two files that are both just a long sequence of numbers and letters.  One of the files will end with the extension “.mov.locked”, that is the one you want.  Click and drag it to your desktop.  You can then minimize iFunbox.

Locked Video

Step Six

By default, Windows will not let you see the file extensions for files that it recognizes.  This is to prevent users from changing them and being unable to open their files.  You will need to re-enable this feature to change the file extension.  Go to Start > Control Panel > Search: Show File Extensions

Show File Extensions

 

 

Click “Show or Hide File Extensions.”  In the window that opens, UNCHECK the “Hide Extensions For Known File Types” box and hit Apply, then OK.

Uncheck - Hide Extensions For File Types

 

Step Seven

Select the file you copied to the desktop and remove the “.locked” extension from the end of it.  A dialogue box should appear asking if you are sure you want to change the file extension.

change file extension

 

Step Eight

Open Adobe Premiere Pro and choose to create a New Video Project.  I find it best to create a folder to keep all the project files inside.  Then select “OK”.

New Premiere Pro Project

Step Nine

If you are using CS6, a “New Sequence” Dialogue box should appear.  If you are using Premiere CC, then you will need to select File > New > Sequence.

New Sequence

 

From the Twirly arrow drop down menu, select Digital SLR > 1080P > DSLR 1080p 30.

DSLR Sequence

 

Now select the “Settings” tab at the top, and choose the following options.

  • Editing Mode: DSLR
  • Timebase: 29.97 Frames/Second
  • Frame Size: 640 Horizontal 640 Vertical 1:1
  • Pixel Aspect Ratio: Square Pixels (1.0)
  • Fields: No Fields (Progressive Scan)
  • Display Frame: 30fps Drop-Frame Timecode
  • Audio Sample Rate: 44100 Hz
  • Display Format: Audio Samples
  • Video Previews: Width 640 Height 640

Then choose to save the preset so you can use it again later.

Custom Sequence Settings

 

Step Ten

Import the video that you copied from your iPhone to your desktop into Premiere Pro.  Also import the custom video you want to use in its place.

 

Custom Video Import

Step Eleven

Drag your originally shot Instagram video to the timeline.  A “Clip Mismatch” warning might come up but you can ignore it and tell it to “Keep Existing Settings.”

Clip Mismatch

 

Make sure you MUTE the audio for the Instagram clip, otherwise you will have whatever audio you shot with your iPhone interfering with your custom video audio.  Once you have muted the audio, drag the custom clip that you want to use onto the timeline so it sandwiches the original iPhone clip in the middle.

Clip Over

 

Step Twelve

If you are using a 1080p video file, you will notice that it is far bigger than the 640 x 640 clip size that Instagram allows.  Select your custom video clip in the timeline and choose “Effect Controls”.  So you can adjust the Position and Scale of your custom clip.

Clip Size

 

Adjust the Scale and Position of your clip so it fits nicely into the 640 x 640 window.  If you are using footage that is 16:9, the sides will be cropped off.  For a 1080p video clip, the Scale can be set to 60 to make the clip fit vertically in the frame.

If you want to set the scale lower you can, but be prepared for black bars at the top and bottom of the clip.  You could remove the bars by placing a white color matte below the clip.
Scale and Position

 

Step Thirteen

Now adjust the length of your clip so it matches the length of the clip you shot with your iPhone.

Same Length

 

Step Fourteen

It’s time to render your clip!  Set your in and out points on the clip so it knows where to render. You do this by moving the playback head to the beginning of your clip and hitting “I” and then the end of you clip and hitting “O”.

In Out Points

Step Fifteen

Select File > Export >Media, or select your timeline and hit CTRL + M.  This will bring up the export dialogue box.

Export Window

Choose the video format “Quicktime” and choose any preset from the preset dropdown menu (we are going to customize one).  Make sure “Export Video” and “Export Audio” are checked, and select the file name and choose where you want the file to be saved to.

Quicktime Any Preset

 

Select the “Video” tab below.  Choose the following settings:

  • Video Codec: H.264
  • Quality 100
  • Width 640
  • Height 640 (Make sure the little chain link box is unselected)
  • Frame Rate: 29.97
  • Field Order: Progressive
  • Aspect: Square Pixels (1.0)
  • Check the Render at Maximum Depth Box

Render Settings

 

Under “Bitrate Settings” check the box and choose the limit the data rate to “3,582 kbps” and check the “Use Maximum Render Quality” box.

Limit Bitrate

 

Click the “Audio” tab and choose:

  • Audio Codec: AAC
  • Sample Rate 44100 Hz
  • Channels: Mono

Audio Settings

 

That’s it!  Now save these render settings as a preset and click Export.

Encoding

 

Step Sixteen

Once it is finished rendering, navigate to your rendered file.  Rename the rendered file to the sequence of numbers and letters that the Instagram video you shot was named (copy and paste helps).  Then add “.locked” to the end of the file so it looks something like A293FJEOF.mov.locked”.

new file extension

 

Step Seventeen

Maximize iFunbox and drag your new video file into the Video folder so it replaces the original video file.  iFunbox won’t give you any warnings about copying over the files, so make sure you copy it.

 

iFunbox Reimport

 

Step Eighteen

Disable Airplane Mode on your iPhone and hit the swirly button on Instagram.  Your custom video should begin uploading.  Here is my custom uploaded Instagram video.  You can also watch it on my Instagram page.

If you enjoyed this tutorial, you may enjoy some of my other tutorials for video editing.  Feel free to follow me on Instagram as well, I will be posting more pre-recorded videos in the future.